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27 & 27A Lorong Datuk Sulaiman 7
Taman Tun Dr Ismail, 60000 Kuala Lumpur
Malaysia.

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Phone: +603-77254858

The Actors Studio

The Business of Theatre

By Jenny Daneels In reply to critical comments in an article we published last year on the Kuala Lumpur Performing Arts Centre (KLPac) and the venue’s anchor tenant The Actors Studio (TAS), co-founder and dramatist-director-actor Joe Hasham agrees to an interview with Kakiseni co-founding editor Jenny Daneels to help put things in perspective. Kakiseni is […]

  • Azwan Ismail
    Azwan Ismail
  • August 6, 2007

Anugerah Seni Negara

By Juliet Jacobs and Kathy Rowland While most people spent Sunday evening huddled at home, awed by the almighty storm that unleashed itself on the Klang Valley, some of our braver folk made their way to the Kuala Lumpur Convention Centre for the Ministry of Culture, Arts and Heritage’s Anugerah Seni Negara 2006 awards ceremony. […]

  • Azwan Ismail
    Azwan Ismail
  • November 23, 2006

Crawl, Wriggle, Squirm, Walk, Run, Jump!

By Revathi Murugappan “My mother told me I was very good at art, singing and dancing so she wanted me to be an artiste like her. But my life changed after I contracted polio,” says Manri Kim, the youngest and tenth child of Honju Kim, a Korean traditional dancer. Polio eventually led to Manri’s paralysis […]

  • Azwan Ismail
    Azwan Ismail
  • January 18, 2006

Kak Endon, 1940 – 2005

By Faridah Merican & Joe Hasham What can be written about Kak Endon that hasn’t already been read, digested and wept over time and again? She was destined to leave an indelible mark on our lives and it’s difficult to express the impact this wonderfully passionate woman has had on many of us. Her legacy […]

  • Azwan Ismail
    Azwan Ismail
  • November 10, 2005

The Long And Winding Road

By Pia Zain & Simon Hegarty Pia: Athol Fugard is one of the great playwrights of our time. He has sketched the South African story – from apartheid to freedom – unlike any other. His writing talks about our interconnections as human beings, and it demands to be listened to, felt, experienced. A Fugard play […]

  • Azwan Ismail
    Azwan Ismail
  • August 17, 2005

Canto Bard

By Pia Zain & Simon Hegarty It was an experience and an education for us (Simon and Pia) who don’t understand any Chinese languages to watch the recent production of The Taming of the Shrew. The play had been adapted by director Ling Tang and her cast into Cantonese, and then retranslated back into English […]

  • Azwan Ismail
    Azwan Ismail
  • August 16, 2005

Perhaps Think A Little

By Sharon Bakar Life Sdn Bhd 3 began with each member of the cast of thirteen bounding forward to introduce themselves and declare proudly, to audience cheers, “I am Malaysian!” National identity has, of course, to embrace ethnic and sexual diversity – there is no such thing as the “average” Malaysian. Yet you have to […]

  • Azwan Ismail
    Azwan Ismail
  • April 29, 2005

Angry Ghosts Festival

By Kelvin K. Wong Having been disappointed by two out of three plays from The Actors Studio’s Malaysian Playwright Series, I admit to being quite sceptical about the fourth instalment. Gavin Yap, who pioneered the series with his not-that-sweet Sweet Nothing, has just staged his second play at The Actors Studio Bangsar (Sep 2 – […]

  • Azwan Ismail
    Azwan Ismail
  • September 22, 2004

The Francis Yeoh Interview

By Jenny Daneels He was fed Mozart as a child. At 46 now, Tan Sri Francis Yeoh makes no hesitation in investing RM25 million of his listed infrastructure company YTL Corporation into the construction of a performing arts centre that will eventually feed everyone more beautiful music. And theatre. And dance and other performing arts. […]

  • Azwan Ismail
    Azwan Ismail
  • June 30, 2004

Becoming a Great Civilisation

By Antares Two years ago an email was circulated on the APA list and around the arts community requesting inputs and feedback on the possibility of everyone pooling their resources to set up a new arts centre and performance space in Sentul West. Sentul West? I suppose some folks reacted with a few sniggers at […]

  • Azwan Ismail
    Azwan Ismail
  • May 28, 2004

Angels And Devils

By Kathy Rowland With The Passion of the Christ raking in millions, religion is clearly in again, and there are few Catholic Saints with the cross over appeal of the 16th century humanist, lawyer, writer, diplomat and statesman Sir Thomas More. The play based on the man, now canonised as a saint, has been a […]

  • Azwan Ismail
    Azwan Ismail
  • April 23, 2004

No Political Agenda

By Elaine Tan The elections are over: BN is still the ruling party, the oppositions are still yelping, Anwar is still in prison, and DBKL still controls the increasingly pushover KL theatre scene. In the midst of this, The Actors Studio’s stages Robert Bolt’s A Man For All Seasons, a play based on the story […]

  • Azwan Ismail
    Azwan Ismail
  • April 6, 2004

Haunted Theatre: Not Happy Together

By Pang Khee Teik It is supposed to be a scene of bittersweet romance. Two female Chinese Opera performers, Mei (played by Li Yan) and Nan (Lee Pei) lie together on a bench under a hanging paper umbrella. As Mei moves to the chair to get ready to leave, Nan kneels down and helps her […]

  • Azwan Ismail
    Azwan Ismail
  • October 22, 2001

Theatre of the ARTiculate

By Antares “Many people confuse information and meaning, which leads to a rather disturbing paradox: Our society has come to place an enormous value on information even though information itself can tell us nothing about value.” – Erik Davis in Techgnosis: Myth, Magic, and Mysticism in the Age of Information (1998) Yasmina Reza is an […]

  • Azwan Ismail
    Azwan Ismail
  • June 28, 2001