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Loi Chin Yu Answers His Calling

By Dr. Wong Oi Min My Calling My Act, My Stage is being marked as a return to the stage of performer and choreographer Loi Chin Yu after a four-year hiatus following his departure from the Nyoba Dance Theatre group over creative differences. It was a period during which Loi gave priority to a practical […]

The Business of Theatre

By Jenny Daneels In reply to critical comments in an article we published last year on the Kuala Lumpur Performing Arts Centre (KLPac) and the venue’s anchor tenant The Actors Studio (TAS), co-founder and dramatist-director-actor Joe Hasham agrees to an interview with Kakiseni co-founding editor Jenny Daneels to help put things in perspective. Kakiseni is […]

Best Intentions

By Jess C I don’t pretend to be an opera buff, but I have seen enough productions to know what to expect. However, watching the Kuala Lumpur Performing Arts Centre’s latest music production, Mozart’s The Magic Flute (subtitled ‘Selected Excerpts in Concert’) was a totally new experience for me. According to its press release, Mozart’s […]

Polymathic Spree

By Benjamin McKay A celebrated photographer, filmmaker, writer, and actor (for stage and screen), multi-talented Bernice Chauly is also an activist and educator. She took time out of her busy rehearsal schedule – Bernice appears in James Lee’s production of Harold Pinter’s Betrayal at the Kuala Lumpur Performing Arts Centre – to chat about how […]

Drawing Water

By Gabrielle Low An Indonesian artist once pointed out to me the pervasiveness of visual clichés. He said that Indonesian schoolchildren, whether from Aceh or Irian Jaya, always draw the same landscape in art class: A rectangular sheet of paper, divided lengthwise by a horizon line. Rising from this horizon are two green hills, roughly […]

Gated Garden Variety

By Andrew Hwang Very few things romance the egalitarian Malaysian public as seductively as free gifts from public-listed companies. When YTL Corporation Berhad (YTL) celebrated its 50th Anniversary, the public was offered free tickets to a series of concerts (13-17 Dec 2005) which were held at KL Performing Arts Center (KLPac). To make it more […]

Crawl, Wriggle, Squirm, Walk, Run, Jump!

By Revathi Murugappan “My mother told me I was very good at art, singing and dancing so she wanted me to be an artiste like her. But my life changed after I contracted polio,” says Manri Kim, the youngest and tenth child of Honju Kim, a Korean traditional dancer. Polio eventually led to Manri’s paralysis […]

The Gospel of Rock

By Azmyl Yunor It was interesting to see if the Street Roar Independent Music Festival 2006 could be translated effectively from its Petaling Street origins to the idyllic lake-side setting of KLPac. The context of the event, being held a week to day of the dumbfounding raid at Paul’s Place on New Year’s Eve, was […]

The Year of Tears

By Pang Khee Teik When we received the SMS that morning in April informing us that Krishen Jit was expected to go anytime, my housemate and I rushed to the University Hospital. At the hospital, we grabbed a bun each from the sundry shop – we were starving for breakfast. We spent a few minutes […]

The Taste of Death

By Christina Orow We’ve all heard about the unusual delicacy that is the Shakespeare speech. Breaking through the initial layer of incomprehension is like getting over the initial revulsion to the smell of durian, until we take that first bite that sends us over to the other side. In a moment, all resistance to the […]

Kak Endon, 1940 – 2005

By Faridah Merican & Joe Hasham What can be written about Kak Endon that hasn’t already been read, digested and wept over time and again? She was destined to leave an indelible mark on our lives and it’s difficult to express the impact this wonderfully passionate woman has had on many of us. Her legacy […]

Don’t Cry For Me, Malaysia

By Maya Tan Abdullah What makes a Malaysian musical Malaysian? It’s written by a Malaysian even though it could be about a bunch of Italians It’s set in Malaysia with Malaysian characters and traditional Malaysian music It’s a musical from somewhere else but wholly performed by Malaysians It’s written by a foreigner but is about […]

Waiting for Kok Man

By Jerome Kugan Written in 1952, at a time when Europe was intellectually paralysed by World War Two, Les Chaises (The Chairs), by the Theatre of the Absurd’s posterboy Eugene Ionesco (1912-1994), conveys the horrors of the dehumanisation of the individual and the community in Europe as a result of unchecked modernisation. Its Absurdist depiction […]

The Aw-Shucks Couple

By Jeremy Mahadevan If you go to the Kakiseni.com event listing for Romi and Joolee dan lain-lain and read the user comments, you’ll find people have been largely appreciative of the play, the only point of contention being a sort of mini Omar Sharif-Barbra Streisand controversy involving some silly hang-ups certain people have about a […]

I Can’t Dance

By Zedeck Siew “Ai, careful,” Mdm Surianty Liu says as I topple over. It is 11 on Sunday morning. She is getting slightly impatient with my bungling. “I already covered these steps yesterday,” she says, in a Hong Kong inflection of Bahasa Indonesia. “But we try, yes?” The Malaysian Dance Festival 2005 ran from the […]

The Francis Yeoh Interview

By Jenny Daneels He was fed Mozart as a child. At 46 now, Tan Sri Francis Yeoh makes no hesitation in investing RM25 million of his listed infrastructure company YTL Corporation into the construction of a performing arts centre that will eventually feed everyone more beautiful music. And theatre. And dance and other performing arts. […]

Becoming a Great Civilisation

By Antares Two years ago an email was circulated on the APA list and around the arts community requesting inputs and feedback on the possibility of everyone pooling their resources to set up a new arts centre and performance space in Sentul West. Sentul West? I suppose some folks reacted with a few sniggers at […]