interview

Two years ago, French human resource consultant Cyril Rayer took a sabbatical – to “leave…

Penang-born Goh Lee Kwang deserves his due credit in the “Malaysia Boleh” rhetoric; he has…

Arahmaiani is a master at creating herself. She is a performance artist and her work…

By Kakiseni Rey Buono chides me: “If you had told me you were going to…

Not being a dancer or choreographer herself, Rogayah Shahariman doesn’t want to be known as…

Passionately academic and handy with anecdotes about every dance practitioner in this country, Dr. Mohd…

Saidah Rastam is not one of Malaysia’s best kept secrets. Her cutting-edge music has a…

Half a year ago, I brunched with director Jo Kukathas and Singaporean playwright Haresh Sharma…

When asked his age, Petaling Jaya boy Richard Chang, now a business news editor at…

This is a fairy tale. This is, for me, the ultimate success story. Chong Kee-Yong,…

‘Serious’ Malaysian orchestral music composition has been limited. Until now. Maybe there has been an…

With less than two weeks to go before the arrival of the acclaimed Riverdance show…

After having scared his audience with the sheer magnitude of the competition between shows and…

Four sunny Saturdays ago, I was invited to an open house at the Universiti Putra…

John Bell AM OBE, Artistic Director of The Bell Shakespeare Company took some time off…

Adakah anda berpuas hati dengan sambutan orang awam terhadap MyDance Festival 2003? Jika berbicara dari…

Dina Zaman, writer for Marie Claire and former script editor and veteran of the rough…

Professionally: an editor, and formerly a literary one. Creatively: a writer of socially-provocative plays and…