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A Space For The Other
The regular gallery visitor setting foot in Galeri Petronas today will be, first of all,…
Size Does Matter
Two thousand and seven, for a businessman and arts collector like myself, was noteworthy arts-wise…
Malaysia at First Sight
“Selamat Datang ke Malaysia” is a cultural expo of sorts … on one hand playing…
Tembak: Wed 28, Feb – Wed 7, Mar 2007
Kg Berembang Mon 5, Mar 2007 Kg Berembang was a place I knew about only…
Rabbits’ Eyes and Seascapes
On January 28th, 2007, the art world’s luminaries and big-spenders converged on the Kuang estate…
Drawing Water
An Indonesian artist once pointed out to me the pervasiveness of visual clichés. He said…
Protocol 101
Censorship is a contemporary issue. It is mitigated by a new set of protocols that…
Playing With History
As children we are told the names of things – naming is one of the…
Rise From The Ruins
It was a lovely evening (17 Sep 2005) in Kuala Lumpur – a bit steamy,…
Angin Kemarau
Muzium Islam mempunyai persepsi yang agak baik di kalangan pencinta seni tanahair. Kehadirannya di suatu…
The Political Artist
If Wong Hoy Cheong’s exhibition at the National Art Gallery had kept to its original…
Nakhoda Tergoda
Katakanlah, pameran Bakat Muda Sezaman, macam nyanyian merdu dewi laut itu. Kerana tidak mahu tergoda,…
Public Hangings
Galeri Petronas Many people I have spoken to say that the Malaysian art scene is…
Koran Nyamuk
Katakanlah, kita akan membubuhkan nama untuk lapangan seni lukis nasional hari ini, sudah tentu ia…
Crawling Toward 2020
“My dynamite will sooner lead to peace than a thousand world conventions. As soon as…
Autonomy in Setapak
In 1997, a few Malaysian artists took over a spacious single-storey house in Setapak and…