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27 & 27A Lorong Datuk Sulaiman 7
Taman Tun Dr Ismail, 60000 Kuala Lumpur

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Phone: +603-77254858

Performance Art

Tembak Shots: “LAMU: Performance art by Donna Miranda”

By Kakiseni When Filipina choreographer Donna Miranda of the Quezon City arts group Green Papaya Art projects first came to Malaysia, it was to develop dance vocabularies as the March-June 2007 resident choreographer of Rimbun Dahan’s residency programme for Southeast Asian and Australian choreographers. As part of her residency, Donna facilitated a workshop “Contemporary Dance […]

  • Azwan Ismail
    Azwan Ismail
  • October 25, 2007

The 60 Second Plug: Francesca Beard’s “Chinese Whispers”

By Pang Khee Teik and Zedeck Siew Who is this ‘Beard’ that gave you your last name? Did you have a rough time as a kid with a name like that? My dad’s family name is Beard. It’s a Cornish name. I didn’t have a hard time in Malaysia, but when I came to school […]

  • Azwan Ismail
    Azwan Ismail
  • September 24, 2006

Jeri Azhari, 1955-2006

By Nur Hanim Khairuddin Ahmad Azhari bin Mohd Nor atau lebih sinonim dengan panggilan Jeri telah berhijrah ke alam serba baru pada bening subuh 19 Julai 2006, hanya kira-kira dua setengah minggu usainya majlis pelancaran pameran solo (ke-8) beliau di Balai Seni Lukis Negara. Beliau dikebumikan di Sungai Siput, di tanah kelahirannya, negeri Perak Darul […]

  • Azwan Ismail
    Azwan Ismail
  • August 9, 2006

Take The Lead – Choreography for non-choreographers: The dance of democracy

By Kathy Rowland Can I use the word “inscrutable” to describe an ethnic Chinese man without being accused of resorting to cliché? Because inscrutable is really the adjective that springs to mind when I think of James Lee, the chess master, moving bodies like pawns in Myra Mahyuddin’s A Sleepwalker in Transit, on a rainy Sunday afternoon […]

  • Azwan Ismail
    Azwan Ismail
  • July 12, 2006

Artistic Intifada

By CH Loh The Wall: Breaking point Representing the concrete wall being built to fence off the West Bank from the rest of Israel are seven huge grey vertical panels on the stage at the Drama Centre, Singapore. These panels dwarf the seven characters whose lives revolve around the towering slabs. But just when their […]

  • Azwan Ismail
    Azwan Ismail
  • July 4, 2006