PENGARAH/DIRECTOR:
Vijaya Samarawickrama

DRAMATURG:
No information available at time of publishing

SINOGRAFER/SCENOGRAPHER:
No information available at time of publishing

KOREOGRAFER/CHOREOGRAPHER:
Jayne Branting, Monica Voon, Anna Kronenburg

KOMPOSER/COMPOSER:
No information available at time of publishing

PENGARAH MUZIKAL/MUSICAL DIRECTOR:
No information available at time of publishing

PEREKA TATACAHAYA/LIGHTING DESIGNER:
Visaahapathy

PEREKA SET/SET DESIGNER:
Sulaiman Esa

PEREKA KOSTUM/COSTUME DESIGNER:
Sulaiman Esa

PEREKA MULTIMEDIA/MULTIMEDIA DESIGNER:
No information available at time of publishing

LAIN-LAIN PEREKA/ADDITIONAL DESIGNER:
Graphic Designer: Raja Zahabuddin Yaacob

PROPERTY MASTER:
Ruzaika, S. Sanda

PENATA RIAS/MAKE-UP ARTIST:
Ramalingam

KRU PENTAS/STAGE CREW:
No information available at time of publishing

PELAKON UTAMA/PRINCIPAL CAST:
Othman Hafsham as Euelpides
Mustapha Nor as Pithetaerus

ENSEMBLE:
Patrick Yeoh, Manjeet Singh, Shuhaimi Baba, Cantius Leo, David Khoo, Bakar Hashim, Abdul Halim, Sidek Soolong, Frank Sullivan, Mohd Yusof Ahmad, Thana, Hari Singh, Maznah Noordin, Hew Chow Tow, Alphonse de la Porta. Mano Maniam, John Louis

PENERBIT EKSEKUTIF/EXECUTIVE PRODUCER:
No information available at time of publishing

PENERBIT/PRODUCER:
Thana, Sidek Soolong

PENGARAH ARTISTIK/ARTISTIC DIRECTOR:
Redza Piyadasa

PENGURUS PRODUKSI/PRODUCTION MANAGER:
No information available at time of publishing

PENGURUS PENTAS/STAGE MANAGER:
Faridah Merican, Vivien Lee

PUBLISITI/PUBLICIST:
Hari Singh, Cantius Leo

NOTA TAMBAHAN/ADDITIONAL NOTES:
Sound: Dolly Yap, Cynthia Lim, Muriel Speeden, Piang, Eng

MAKLUMAT LAIN/OTHER INFORMATION:
There is no mention in the programme book of which English translation of Aristophanes’ original Greek text was used for the production. However, there is mention of a Malay translation by Raja Zahabuddin Yaacob, directed by Faridah Merican and read by Nor Azizan, Ahmad Borhan, Omar Abdullah, and Latif Muslim. It is unknown how the Malay translation was presented. We believe that audience members were presented with the Malay translation via earphones. This method was used for “The Caucasian Chalk Circle” by Phoenix 61, staged in the same venue. If you have any information on this matter, please contact us.