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Yasmin Ahmad

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Articles

Playing Catch Up

Malaysia has a long history of conflicts over arts and culture, pitting artists against the…

Articles

Strange Bedfellows

Two very varied feature films opened recently, the first two parts of a planned trilogy…

Articles

Mengalih Punggung

Tell us about yourself. Did you, like any other good middle-class child, have to pick…

Articles

Shining Through The Rain

Some filmmakers use film as a tool to tell narratives and build worlds. Other filmmakers,…

Articles

Free To Speak

Let’s start with a number of disclaimers: first, I’m writing as an individual and not…

Articles

Listening to Pomeloes

What do the films Lelaki Komunis Terakhir and Gubra have in common? Obvious answer: they…

Articles

Race and Place

One should applaud the release of another Malaysian independent feature on local screens – on…

Articles

Rockin’ in the Free World

Music as a tool of political consciousness doesn’t happen often enough — perhaps unsurprisingly for…

Articles

Silencing the Lambs

The media here of late have been reporting and commenting upon a number of issues…

Articles

Imaginary Homeland

“Sometimes I wonder if you guys realise how hard it is for the rest of…

Articles

The Umur of Innocence

Masa sekolah rendah dulu aku ramai member Cina, sebab parents aku for whatever reason lebih…

Articles

Where Muftis Fear to Tread

Gubra raises a whole pile of socio-religio issues — some may even consider it somewhat…

Articles

Too Many Awards, Not Enough Movies

Talk about efficiency. For the entire first half of the 18th Malaysian Film Festival 2005…

Articles

Eyes Wide Open

Sepet: to possess single eyelids, or used pejoratively, slit-eyed. The condition of being slit-eyed sometimes…

Articles

Love On Trial

We the rakyat, as represented by the Censorship Board, are being spared of Yasmin Ahmad’s…