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27 & 27A Lorong Datuk Sulaiman 7
Taman Tun Dr Ismail, 60000 Kuala Lumpur
Malaysia.

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Phone: +603-77254858

Yasmin Ahmad

Playing Catch Up

By Kathy Rowland Malaysia has a long history of conflicts over arts and culture, pitting artists against the Japanese during the Japanese Occupation, against the British during the Communist insurgency and anti-colonial movement that followed World War II, and, since independence in 1957, against the Alliance government. Over the past 49 years, the space for […]

  • Azwan Ismail
    Azwan Ismail
  • October 5, 2007

Strange Bedfellows

By Benjamin McKay Two very varied feature films opened recently, the first two parts of a planned trilogy on love by acclaimed indie filmmaker James Lee. James has had a productive career, to date, and critical analysis of his work has often focused on stylistic comparisons with Taiwanese New Wave stalwarts like Tsai Ming-Liang (who, […]

  • Azwan Ismail
    Azwan Ismail
  • May 22, 2007

Mengalih Punggung

By Zedeck Siew Tell us about yourself. Did you, like any other good middle-class child, have to pick up a formal musical instrument? Yes, my parents insisted I attend piano lessons, beginning at age seven — although they had to drag me kicking and screaming the first few years. I got bored easily, and got […]

  • Azwan Ismail
    Azwan Ismail
  • February 28, 2007

Shining Through The Rain

By Benjamin McKay Some filmmakers use film as a tool to tell narratives and build worlds. Other filmmakers, a rare few, inhabit film as if it were already a tangible world – a world in need only of some simple shaping and orchestration to produce fine semblances of life. Ho Yuhang’s Sanctuary (2004), a simple […]

  • Azwan Ismail
    Azwan Ismail
  • October 24, 2006

Free To Speak

By Kee Thuan Chye Let’s start with a number of disclaimers: first, I’m writing as an individual and not as a representative of any organisation; second, I’ll be talking about freedom of expression and culture, specifically relating to the performing arts in Malaysia; third, there’s nothing I will tell you that you don’t already know. […]

  • Azwan Ismail
    Azwan Ismail
  • October 19, 2006

Listening to Pomeloes

By CH Loh What do the films Lelaki Komunis Terakhir and Gubra have in common? Obvious answer: they were both Malaysian films that stirred local controversy in recent times. Less obvious answer: they both contained music by composer Hardesh Singh. When one talks about film, composers rarely get mentioned. “Film is not a medium for […]

  • Azwan Ismail
    Azwan Ismail
  • October 11, 2006

Race and Place

By Benjamin McKay One should applaud the release of another Malaysian independent feature on local screens – on that count, therefore, you can add the sound of my two hands, clapping. In his debut feature film, Arivind Abraham’s S’kali (Malaysia, 2006; in English and Malay; Perantauan Pictures) explores the uneasy terrain inhabited by a group […]

  • Azwan Ismail
    Azwan Ismail
  • October 3, 2006

Rockin’ in the Free World

By Chuah Siew Eng Music as a tool of political consciousness doesn’t happen often enough — perhaps unsurprisingly for a society wary about the uncontrolled consequences of freedom of expression. But that rare occasion of bands banding together to bandy an important issue did happen recently when, on the last weekend of May, groups like […]

  • Azwan Ismail
    Azwan Ismail
  • July 12, 2006

Silencing the Lambs

By Benjamin McKay The media here of late have been reporting and commenting upon a number of issues to do with perceived moral shortcomings and the manner in which those perceived shortcomings are addressed by the moral guardians of the nation. Indeed the media has in some cases decided to act as a moral guardian […]

  • Azwan Ismail
    Azwan Ismail
  • May 5, 2006

Imaginary Homeland

By Benjamin McKay “Sometimes I wonder if you guys realise how hard it is for the rest of us to live here. It’s like being in love with someone who doesn’t love you back.” – Alan in Gubra In Yasmin Ahmad’s Malaysia, it appears possible for a Chinese Malaysian man to give a Malay woman […]

  • Azwan Ismail
    Azwan Ismail
  • April 14, 2006

The Umur of Innocence

By Ruhayat X Masa sekolah rendah dulu aku ramai member Cina, sebab parents aku for whatever reason lebih suka bergaul dengan cikgu-cikgu Cina colleagues diorang. Ada sorang member aku tu, nama dia Mun. Mun ni badan dia gempal. Muka dia bulat, kulit dia putih bersih, bukan kuning-kuning macam setengah orang Cina. Aku dengan dia start […]

  • Azwan Ismail
    Azwan Ismail
  • April 14, 2006

Where Muftis Fear to Tread

By Toni Kasim Gubra raises a whole pile of socio-religio issues — some may even consider it somewhat overburdened — and in a heavily censored society, you really want to credit Yasmin Ahmad for using narrow windows of opportunities to test the limits of national and social discourse, even if some viewers may come away […]

  • Azwan Ismail
    Azwan Ismail
  • April 14, 2006

Too Many Awards, Not Enough Movies

By Kakiseni Paparazzi Talk about efficiency. For the entire first half of the 18th Malaysian Film Festival 2005 (FFM18) awards ceremony on Sun 17, July 2005, winners were ushered off the stage as soon as their awards were firmly in hand. We were thus thankfully spared of boring acceptance speeches. But truth be told, we […]

  • Azwan Ismail
    Azwan Ismail
  • July 21, 2005

Eyes Wide Open

By Alfian Sa’at Sepet: to possess single eyelids, or used pejoratively, slit-eyed. The condition of being slit-eyed sometimes goes beyond its physical designations to enforce racial stereotypes. The sepet person is associated with certain personality traits: either a shifty inscrutability (you can’t read the person’s eyes), or handicapped by narrow-­mindedness (surely someone with eyes like […]

  • Azwan Ismail
    Azwan Ismail
  • February 21, 2005

Love On Trial

By Yasmin Ahmad We the rakyat, as represented by the Censorship Board, are being spared of Yasmin Ahmad’s new film Sepet, which features – god forbid! – interracial romance. It does not seem to matter that every year, we the rakyat have also seen many of Yasmin Ahmad’s famously muhibbah Petronas advertisements on TV, with […]

  • Azwan Ismail
    Azwan Ismail
  • December 22, 2004