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Myra Mahyuddin

Take The Lead – Choreography for non-choreographers: The dance of democracy

By Kathy Rowland Can I use the word “inscrutable” to describe an ethnic Chinese man without being accused of resorting to cliché? Because inscrutable is really the adjective that springs to mind when I think of James Lee, the chess master, moving bodies like pawns in Myra Mahyuddin’s A Sleepwalker in Transit, on a rainy Sunday afternoon […]

  • Azwan Ismail
    Azwan Ismail
  • July 12, 2006