Krishen Jit
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Looking Backwards
Recent coverage in Kakiseni about the phenomenon of censorship in private sector Malaysian arts may…
Halcyon Days
Things began in 1975: the world’s first home computers were made available to the public;…
Mengalih Punggung
Tell us about yourself. Did you, like any other good middle-class child, have to pick…
Questioning Mark
In an attempt to uncover the mysteries of creative practice in Malaysia, and discern what…
Intimacy
By Jo Kukathas The following was first presented at Utih… Celebrating Krishen, 28 Apr 2006,…
Congratulations, Dato’ Krishen Jit!
So the Yang di Pertuan Besar of Negeri Sembilan, on the occasion of his 84th…
The Year of Tears
When we received the SMS that morning in April informing us that Krishen Jit was…
Icon, Guru, Beloved Friend
I came late to Krishen Jit. Having grown up with Talking Drama with Utih, his…
Experiment in Bronze
On opening night of Monkey Business, director Krishen Jit wasn’t sitting like a stone deity…
Notes from Underground
In Dramalab’s restaging of Huzir Sulaiman’s The Smell of Language and Notes on Life and…
Supermarket Theatre
My late father was a strong supporter of the arts, and my family heritage has…
20 Years of Uncertainty
Five Arts’ humble beginning in 1984 was a dismal time. According to co-founder and veteran…
Communal Menses
It would be parochial to insist that Singaporean theatre companies only produce plays by indigenous…
Theatre of the ARTiculate
“Many people confuse information and meaning, which leads to a rather disturbing paradox: Our society…