By Daniel Chong If you were told that a grandmaster of 20th century modern art from France is exhibiting in Malaysia, would you believe it? It’s true! And you read it here first! But which art icon would show in Malaysia and where? Most certainly not at our Balai Seni Lukis Negara! That’s a space […]
By Veronica Shunmugam The regular gallery visitor setting foot in Galeri Petronas today will be, first of all, roused into curiosity by the colour of its now jet black walls. It’s never been anything but white, made pearly by genteel lighting. Then again, it’s never quite had a show like “The Independence Project”, now six […]
By Nur Hanim Khairuddin Ahmad Azhari bin Mohd Nor atau lebih sinonim dengan panggilan Jeri telah berhijrah ke alam serba baru pada bening subuh 19 Julai 2006, hanya kira-kira dua setengah minggu usainya majlis pelancaran pameran solo (ke-8) beliau di Balai Seni Lukis Negara. Beliau dikebumikan di Sungai Siput, di tanah kelahirannya, negeri Perak Darul […]
By Zhin Teng I am not a good window shopper. And I do not regard mall-ing as a very culturally enriching experience save only on two conditions: Books Kinokuniya and my mission of the day — the search, the aim, the inquisition — the art gallery as a newcomer to the mall experience. As the […]
By Dr Zakaria Ali [This paper was first presented at “Batik Paintings – Public Talk by Dr. Zakaria Ali” organised by Galeri PETRONAS, on the 14 December 2005.] This talk is centred on three artists: Yeong Seak Ling, Dr. Mohamed Najib bin Ahmad Dawa, and Abdul Rashid bin Abdul Razak. Through different paths they have […]
By Gina Fairley When setting out to review the inaugural Kuala Lumpur International Photography Biennale (KLip, 4 June – 9 October 2005) I thought this is going to be great – a power-punch arts event addressing the wider KL audience. What I learnt, attending the KLip launch at the National Art Gallery on 14th July […]
By Yelena Gluzman Galeri Petronas Many people I have spoken to say that the Malaysian art scene is in some or all ways “lacking”, and this perceived lack interests me. I am a foreigner and, as such, I view and react to Malaysian art with the tentativeness of an outsider. But I think it is […]
