Wayang Nakal

By Zedeck Siew At a crucial point in “Dua, Tiga Dalang Berlari”, an informal-by-form check-up on Wayang Kulit, performer Wong Tay Sy exits stage left, bowed, expression tired and supplicant, rear thrust up in the air. The play’s three actors have just performed a dramatisation of an interview with the dalang and Seniman Negara Pak […]