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The Year The Arts Showed The Way (Part II)
In last week’s part of what the arts meant to 2007, I looked at what…
Putting the “Ha” Back in Harold Pinter
The Homecoming, typical of Harold Pinter’s plays, starts out innocently enough, with a normal domestic…
THE 2005 NOMINEES!
dance nominees BEST GROUP PERFORMANCE Prize of RM1,000 and Tumasek Pewter Trophy En-Body-Men, choreographed by…
The Taste of Death
We’ve all heard about the unusual delicacy that is the Shakespeare speech. Breaking through the…
The Aw-Shucks Couple
If you go to the Kakiseni.com event listing for Romi and Joolee dan lain-lain and…
Violent Symphonies
Listening to Gustav Mahler’s 6th symphony (a.k.a. “Tragic”) performed by the Malaysian Philharmonic Orchestra under…
Quality Time
My mom and I were watching We Are Family, the third and most recent instalment…
Perhaps Think A Little
Life Sdn Bhd 3 began with each member of the cast of thirteen bounding forward…
THE 2004 AWARDS!
Congratulations to the following! music BEST GROUP PERFORMANCE – INSTRUMENTAL Prize of RM1,000 sponsored by…
THE 2004 NOMINEES!
By Kakiseni Paparazzi Congratulations to the following nominees! music nominees BEST GROUP PERFORMANCE- INSTRUMENTAL …
To Bitch or Not to Bitch
In the current spirit of fulsome, if not full, disclosure I should admit to a…
The Lady Esplanade
I played at the Esplanade (Jan 14 – 16, 2005). For those who are clueless,…
Theatertubbies
My co-reviewer, a sandy haired postulant, has been to a dozen or more live performances…
Angry Ghosts Festival
Having been disappointed by two out of three plays from The Actors Studio’s Malaysian Playwright…
Rose Chan The Musical?
Last week, I put up a poll asking people to vote for the Malaysian woman…
Singaporean Couplings
On a makeshift tent by the Singapore River, Stella Kon took her place behind the…
Girlfriend Dumps You For Actor?
Uncle Ant’s Agony and Ecstacy is a monthly column. Uncle Ant, or Agony Ant as…