Hui Dance Show 迴 (1987)

Half moon is based on the principle of Tao, that is the Yin and Yang, the light and darkness, the dance and non dance, or in another word, the life circle and its transformation.

月有阴晴圆缺，人有悲欢离合，道家思想中的阴阳，光暗，动静之间的联系，即为万物周而复始的动律。透过舞蹈肢体语言的阐明，半月即代表着生命的轮回与它的变幻无常。

A young girl’s dream reflects the crisis and pain that her family encounter.

描述一个少女夜晚作噩梦的经过。

A contemporary treatment of a story taken from the Chinese novel. “The Storm”. The dance drama is based on the love and passion of the main character Fan’ Yi, whose internal sentiment is awaken by her step son. Out of the desire for love, she rises in despiration and bursts out into a destructive force to confront her fate in the age of feudalism.

抓住了蘩漪就是抓住了“雷雨”。她的命运交织着最残酷的爱与恨，然而她敢爱她所爱的，恨她所恨的；她感冲破一切柱梏，做一次困兽的搏斗，如电如雷般轰轰地烧一场。

The creation of this work was inspired by the rhythm, of “bolero” it depicts the force and passion of human beings, the never ending struggle with destiny, and joyous celebration of eternity.

人生好比火鸟，须具备锲而不舍的精神，在历尽重重的障碍，永不言悔的磨练之后，始能脱胎换骨，一如火鸟的重生。

Using dance movements to express the rhythm of the music. It has 3 movements, first part is a fast movement, the second part is a slow movement, and the last part is a fast finale with a format of question and answers.

以芭蕾的技巧，舞出音乐的欢愉悦耳，一气呵成，赏心悦目。

This dance shows the continuous life of wild grasses.

那怕风吹雨打，那怕野火燃烧，纵然化为灰烬，也要哺育再生心苗。

This dance is a dramatic narrative taken from the last episode of the traditional Chinese love tragedy “The Butterfly Lovers”.
Scene 1 The dying of Shan Po
Scene 2 The faith of Ying Tai’s love
Scene 3 The butterfly lovers

——山伯临终              ——英台哭坟              ——化蝶
取材自古典爱情小说梁山伯与祝英台之后半部，自梁山伯临终前述起至化蝶双飞。

Violence, eroticism, emptiness, and the subtle modulation of anger into sensuality and back form the framework of this piece. It explores the intimate tensions of the empty souls in big cities and the tedium of the times in between.

钢筋水泥的大城内，焦虑无助的心绪，敲起阵阵空洞的廻响……。