KLPac

A celebrated photographer, filmmaker, writer, and actor (for stage and screen), multi-talented Bernice Chauly is…

Watching the KLPac production of Frankenstein in Love, I was somehow reminded of a play…

Those who are familiar with classical Chinese literature will have heard of Liang Shanbo and…

The programme leaflet for Anak Bulan Di Kampong Wa’ Hassan, staged recently at KLPac, has…

Who is this ‘Beard’ that gave you your last name? Did you have a rough…

There is always that moment of trepidation when a curtain rises on a musical for…

This double review first appeared in Sunday Star, Aug 1998. Damned To Fame: The Life…

ROJAK! ended with a shower of empty Marlboro boxes, several successfully aimed at my head…

The Homecoming, typical of Harold Pinter’s plays, starts out innocently enough, with a normal domestic…

Very few things romance the egalitarian Malaysian public as seductively as free gifts from public-listed…

“My mother told me I was very good at art, singing and dancing so she…

It was interesting to see if the Street Roar Independent Music Festival 2006 could be…

When we received the SMS that morning in April informing us that Krishen Jit was…

We’ve all heard about the unusual delicacy that is the Shakespeare speech. Breaking through the…

“A Chinese Make Love Story.” What does that mean, exactly? The programme synopsis says the…

On first impression, Pygmalion the musical seems larger than life. Just look at it, for…

What makes a Malaysian musical Malaysian? It’s written by a Malaysian even though it could…

Ever play a round of table tennis with your eyes? Yeah, that’s right, with your…

Written in 1952, at a time when Europe was intellectually paralysed by World War Two,…

If you go to the Kakiseni.com event listing for Romi and Joolee dan lain-lain and…

“Ai, careful,” Mdm Surianty Liu says as I topple over. It is 11 on Sunday…