Yasmin Ahmad
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Playing Catch Up
Malaysia has a long history of conflicts over arts and culture, pitting artists against the…
Strange Bedfellows
Two very varied feature films opened recently, the first two parts of a planned trilogy…
Mengalih Punggung
Tell us about yourself. Did you, like any other good middle-class child, have to pick…
Shining Through The Rain
Some filmmakers use film as a tool to tell narratives and build worlds. Other filmmakers,…
Free To Speak
Let’s start with a number of disclaimers: first, I’m writing as an individual and not…
Listening to Pomeloes
What do the films Lelaki Komunis Terakhir and Gubra have in common? Obvious answer: they…
Race and Place
One should applaud the release of another Malaysian independent feature on local screens – on…
Rockin’ in the Free World
Music as a tool of political consciousness doesn’t happen often enough — perhaps unsurprisingly for…
Silencing the Lambs
The media here of late have been reporting and commenting upon a number of issues…
Imaginary Homeland
“Sometimes I wonder if you guys realise how hard it is for the rest of…
The Umur of Innocence
Masa sekolah rendah dulu aku ramai member Cina, sebab parents aku for whatever reason lebih…
Where Muftis Fear to Tread
Gubra raises a whole pile of socio-religio issues — some may even consider it somewhat…
Too Many Awards, Not Enough Movies
Talk about efficiency. For the entire first half of the 18th Malaysian Film Festival 2005…
Eyes Wide Open
Sepet: to possess single eyelids, or used pejoratively, slit-eyed. The condition of being slit-eyed sometimes…
Love On Trial
We the rakyat, as represented by the Censorship Board, are being spared of Yasmin Ahmad’s…