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The Kuala Lumpur Performing Arts Centre

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Theatre
Articles

Loi Chin Yu Answers His Calling

My Calling My Act, My Stage is being marked as a return to the stage…

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The Business of Theatre

In reply to critical comments in an article we published last year on the Kuala…

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Best Intentions

I don’t pretend to be an opera buff, but I have seen enough productions to…

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Polymathic Spree

A celebrated photographer, filmmaker, writer, and actor (for stage and screen), multi-talented Bernice Chauly is…

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Drawing Water

An Indonesian artist once pointed out to me the pervasiveness of visual clichés. He said…

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Gated Garden Variety

Very few things romance the egalitarian Malaysian public as seductively as free gifts from public-listed…

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Crawl, Wriggle, Squirm, Walk, Run, Jump!

“My mother told me I was very good at art, singing and dancing so she…

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The Gospel of Rock

It was interesting to see if the Street Roar Independent Music Festival 2006 could be…

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The Year of Tears

When we received the SMS that morning in April informing us that Krishen Jit was…

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The Taste of Death

We’ve all heard about the unusual delicacy that is the Shakespeare speech. Breaking through the…

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Kak Endon, 1940 – 2005

What can be written about Kak Endon that hasn’t already been read, digested and wept…

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Don’t Cry For Me, Malaysia

What makes a Malaysian musical Malaysian? It’s written by a Malaysian even though it could…

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Waiting for Kok Man

Written in 1952, at a time when Europe was intellectually paralysed by World War Two,…

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The Aw-Shucks Couple

If you go to the Kakiseni.com event listing for Romi and Joolee dan lain-lain and…