The Kuala Lumpur Performing Arts Centre
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Loi Chin Yu Answers His Calling
My Calling My Act, My Stage is being marked as a return to the stage…
The Business of Theatre
In reply to critical comments in an article we published last year on the Kuala…
Best Intentions
I don’t pretend to be an opera buff, but I have seen enough productions to…
Polymathic Spree
A celebrated photographer, filmmaker, writer, and actor (for stage and screen), multi-talented Bernice Chauly is…
Drawing Water
An Indonesian artist once pointed out to me the pervasiveness of visual clichés. He said…
Gated Garden Variety
Very few things romance the egalitarian Malaysian public as seductively as free gifts from public-listed…
Crawl, Wriggle, Squirm, Walk, Run, Jump!
“My mother told me I was very good at art, singing and dancing so she…
The Gospel of Rock
It was interesting to see if the Street Roar Independent Music Festival 2006 could be…
The Year of Tears
When we received the SMS that morning in April informing us that Krishen Jit was…
The Taste of Death
We’ve all heard about the unusual delicacy that is the Shakespeare speech. Breaking through the…
Kak Endon, 1940 – 2005
What can be written about Kak Endon that hasn’t already been read, digested and wept…
Don’t Cry For Me, Malaysia
What makes a Malaysian musical Malaysian? It’s written by a Malaysian even though it could…
Waiting for Kok Man
Written in 1952, at a time when Europe was intellectually paralysed by World War Two,…
The Aw-Shucks Couple
If you go to the Kakiseni.com event listing for Romi and Joolee dan lain-lain and…