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Articles

Tembak Shots: “WOMAD Singapore’s 10th Anniversary”

My first WOMAD experience in Toronto, Canada in 1988 was a seminal experience – having…

Articles

The 60 Second Plug: Teater Ekamatra’s “Madu II”

Fast becoming Singapore’s most important playwright, the strength of Alfian Sa’at oeuvre lies in the…

Articles

Life is Beautiful

Twenty years ago in a small basement room in a school in Singapore there was…

Articles

Alien Nations

We learn something new everyday. I for example learnt that the new politically correct term…

Articles

Talk Is Action

There will be some among you who believe that talking about problems, about crises and…

Articles

The Merlion Spouts

Recently, I attended the Singapore Writers Festival (SWF) as an invited writer. Objectivity is very…

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Murder Most Foul (Can you smell the belacan?)

This is another whodunit for the big stage. Though it was presented to Singaporeans for…

Articles

Happy Divorce Anniversary!

On a stage with only four scaffolding structures and two foldable screens, four actors come…

Articles

Whose Film Is It Anyway?

The Fifth Asian Film Symposium and Inaugural Forum on Asian Cinema took place at Singapore’s…

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The Lady Esplanade

I played at the Esplanade (Jan 14 – 16, 2005). For those who are clueless,…

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What’s with Malays and Cats?

In the 80’s and early 90’s, both Malay as well as English programmes were screened…

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Homo-patriotic

Heard of the pink dollar? It’s the latest trans-national currency. It’s not actually pink in…

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Abusing Prisoners of Wars

Like prisoners of war, starved, feverish, I found myself drifting in and out of consciousness,…

Articles

Singaporean Couplings

On a makeshift tent by the Singapore River, Stella Kon took her place behind the…

Articles

Communal Menses

It would be parochial to insist that Singaporean theatre companies only produce plays by indigenous…

Articles

Buddha and Other Jet Setters

Singaporean director Ong Keng Sen is often accused of being wanky. As the founder of…