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A Space For The Other

The regular gallery visitor setting foot in Galeri Petronas today will be, first of all,…

Articles

Size Does Matter

Two thousand and seven, for a businessman and arts collector like myself, was noteworthy arts-wise…

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Malaysia at First Sight

“Selamat Datang ke Malaysia” is a cultural expo of sorts … on one hand playing…

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Tembak: Wed 28, Feb – Wed 7, Mar 2007

Kg Berembang Mon 5, Mar 2007 Kg Berembang was a place I knew about only…

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Rabbits’ Eyes and Seascapes

On January 28th, 2007, the art world’s luminaries and big-spenders converged on the Kuang estate…

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Drawing Water

An Indonesian artist once pointed out to me the pervasiveness of visual clichés. He said…

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Protocol 101

Censorship is a contemporary issue. It is mitigated by a new set of protocols that…

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Playing With History

As children we are told the names of things – naming is one of the…

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Rise From The Ruins

It was a lovely evening (17 Sep 2005) in Kuala Lumpur – a bit steamy,…

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Angin Kemarau

Muzium Islam mempunyai persepsi yang agak baik di kalangan pencinta seni tanahair. Kehadirannya di suatu…

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The Political Artist

If Wong Hoy Cheong’s exhibition at the National Art Gallery had kept to its original…

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Nakhoda Tergoda

Katakanlah, pameran Bakat Muda Sezaman, macam nyanyian merdu dewi laut itu. Kerana tidak mahu tergoda,…

Articles

Public Hangings

Galeri Petronas Many people I have spoken to say that the Malaysian art scene is…

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Koran Nyamuk

Katakanlah, kita akan membubuhkan nama untuk lapangan seni lukis nasional hari ini, sudah tentu ia…

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Crawling Toward 2020

“My dynamite will sooner lead to peace than a thousand world conventions. As soon as…

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Autonomy in Setapak

In 1997, a few Malaysian artists took over a spacious single-storey house in Setapak and…