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Loi Chin Yu Answers His Calling
My Calling My Act, My Stage is being marked as a return to the stage…
Looking Backwards
Recent coverage in Kakiseni about the phenomenon of censorship in private sector Malaysian arts may…
The Year The Arts Showed The Way (Part II)
In last week’s part of what the arts meant to 2007, I looked at what…
The 60 Second Plug: ASWARA’S “Asyik”
Besides guiding, training and inspiring young minds towards greater things, the lovely folks at ASWARA…
Tembak Shots: “LAMU: Performance art by Donna Miranda”
When Filipina choreographer Donna Miranda of the Quezon City arts group Green Papaya Art projects…
Halcyon Days
Things began in 1975: the world’s first home computers were made available to the public;…
The 60 Second Plug: Nyoba-Kan’s “Curse of the Forbidden Palace”
Tell us about yourself. I was born and raised in Kuala Lumpur, and I’ve loved…
The 60 Second Plug: Balletbase’s “Take Flight”
Tell us a bit about yourself. In 1997, I went off to Harvard for four…
Other Than Angkor – Pt. 2
Among the lesser-known temples at Angkor is a pyramidal mass of hewn stone blocks called…
Other Than Angkor – Pt. 1
‘Stung Treng 216 km’ flashed on the blue signboard as our bus sped along the…
The 60 Second Plug: Lapar Lab’s “Five Alone”
Tell us a bit about Five Alone — how was it conceptualised? What can the…
The 60 Second Plug: Sankai Juku’s “Hibiki”
Hibiki is described as a work of “unparalleled simplicity and poetic beauty”. What can you…
Dream Merchants
Inter-ethnic understanding is a high priority for many groups, and National Service doesn’t really seem…
Take The Lead – Choreography for non-choreographers: The dance of democracy
Can I use the word “inscrutable” to describe an ethnic Chinese man without being accused of…
The Awards FAQ
As we go crazy dealing with the DBKL, the VVIP, and the scariest of them…
The Pied Piper of Penang
The first question Janet Pillai asks me when she sees me is: “Have you finished…
THE 2005 NOMINEES!
dance nominees BEST GROUP PERFORMANCE Prize of RM1,000 and Tumasek Pewter Trophy En-Body-Men, choreographed by…
Nomadic Dancers of Kuala Lumpur
The 2nd National Chinese Cultural Dance Competition organised by the Chinese Language Society of Malacca…
Crawl, Wriggle, Squirm, Walk, Run, Jump!
“My mother told me I was very good at art, singing and dancing so she…
Enough Is Enough!
We’ve heard it before (and will continue to hear it). Man fed up with world…
The Undanced Heroes of Malaysia
Two years ago, French human resource consultant Cyril Rayer took a sabbatical – to “leave…
The Goddess of Big Things
Belly Tribe – don’t you love the name? – was staged at Velvet Underground, Zouk,…
We Still Haven’t Found What We’re Looking For
Ever play a round of table tennis with your eyes? Yeah, that’s right, with your…
Swami Shanthanand Saraswathi, 1934 – 2005
Swami Shanthanand Saraswathi came to Malaysia in 1970, and like all visiting Hindu monks, gave…